Here you will find answers to frequently asked questions relating to pitches, pitch consultants and public tenders. Which brings us straight to the first question:

1What exactly is a pitch consultant?

A pitch consultant advises companies and public sector clients on the search for, selection and appointment of advertising agencies and communications service providers. This includes, amongst other things, the search for agencies, agency selection, pitch processes, agency briefings, evaluation, agency contracts and agency fees. He offers an enormous range of consulting services; the search for and selection of advertising agencies and communications service providers is just one part of this.

We are not too fond of this term, which has somehow become naturalised, because it is too simplistic and is interpreted very differently: Are only pitches in terms of pitch presentations concerned? Or is the overall selection procedure intended? Are only selection procedures involved? Do you perhaps assist agencies with pitches? There are a lot of questions.

We still accept the term because it allows us to be found.

Side note: A pitch is defined as any kind of overall selection procedure. A pitch presentation is exactly what it sounds like: A pitch presentation.

2How are pitch consultants paid?
We do not know how other pitch consultants are paid. Francis Drake is only paid by its customers – companies putting out advertising – and has no business relations with advertising agencies. You can rest assured that we take a completely neutral and objective approach in all that we do.
3What are the rules for a successful pitch presentation? (Short version)
  • No more than 3 agencies
  • Clear brief/clear assignment
  • Clearly defined scope of work
  • Sufficient time (takes place outside of office hours!)
  • Ideal sequence: Brief, re-brief, quick strategy overview, creative overview, presentation and, if applicable, management summary
  • Always have time for questions
  • Respect
  • No pitch presentation without a presentation fee as an allowance
  • Unified participants on the customer side
  • At the same time: Clarify contract and remuneration, avoid deal breakers
4How is a promising pitch presentation structured? What mistakes should be avoided? (Long version)

A pitch presentation (in terms of the traditional definition of pitch) should follow an established process sequence and rules of conduct, however, it presents companies with a number of ‘opportunities’ to trip up.

Less is more

The field of participants should be as small and concentrated as possible. In our experience, it is best to have no more than 3 participants. It is important to have a good pre-selection, which can be difficult without the involvement of pitch consultants. If there are more participants, you will often have to deal with criticism of a lack of seriousness (is the aim just to collect ideas?). What’s more, many agencies have doubts about their chances of success and refrain from taking part. At this point, it is important to consider that agencies anticipate a huge additional workload if they participate, which will have to be tackled alongside the tasks of day-to-day business. No external pitch team is expected to pick up the work.

No fee, no pitch

The payment of an appropriate pitch fee is also closely tied to this. What we mean by appropriate is that it should reflect the size and scope of the task. Amounts between €5,000 and €20,000 are certainly feasible. The high fees certainly do not cover the costs incurred by advertising agencies, these should be regarded as “compensation” and mostly only cover travel expenses and some technical costs. However, the role of the fee in terms of discerning the seriousness and the spirit of partnership of the pitch is much more important.

The road to success: Multiple steps and time

A promising pitch presentation is well prepared and ideally consists of multiple steps: Brief, re-brief, overviews (strategy and creation), final presentation and, if applicable, management summary. It is important to schedule enough time and allow for realistic timing for these. In any event, this should be 6-8 weeks. Hitting agencies over the head with a pitch over a period of 2-3 weeks is money down the drain.

A good brief that leaves no questions unanswered is the most important foundation for the success of a pitch. The content of a good brief cannot be addressed here, however there are a few important points. In general, a brief cannot simply be sent to the agency. It should take place in person, ideally during a brief workshop with a sufficient amount of time. All relevant stakeholders should take part in this brief (in the case of doubt, this should include an owner, managing director or Executive Board member so that they do not wait until the final presentation to declare their expectations, which can have drastic consequences). Many customers think it is a good idea to brief all participating agencies in a collective workshop. To be honest, that is a crazy idea as this approach leads to the agencies closing off and not asking any smart questions. It is not conducive.

Advertising agencies should have the chance to be re-briefed (at least over the phone). All outstanding questions and interpretations are clarified before the agency starts work. Then, at the very least, there should be an overview – ideally at the premises of the agency. At this stage, initial approaches and/or different routes can be sounded out and changes of direction made. Two overviews have proven useful: first, strategy and then creation.

Equal rights for all

Clear guidelines and rules of play should be established for the final presentation. Agencies need to have a very clear-cut idea of what they need to present. At this point, a foundation needs to be created for strong comparability. This is particularly important if market research is subsequently planned and corresponding uniform documents are required for this purpose. The agency is to be reimbursed for the costs of these documents and/or these should be accounted for in the pitch fee.

Allowing space for individuality

A note on comparability: In our experience, it is an error that is often made when levelling is carried out between the individual advertising agencies in the course of the procedure. If, for example, an agency specifically asks for specific documents of the company that they have researched, it makes sense for these documents to also be available to other agencies. The same goes when an agency asks about the possibility of shadowing work in a branch or establishment of the customer. Proactively allowing other agencies to do this only interferes with the competition, which it what it is actually all about.

Avoiding deal breakers

The customer often forgets or refrains from clarifying the issue of the agency contract in parallel to the pitch presentation. In our view, sending agencies a draft contract along with the brief, requesting that they agree to it a few days before the final presentation and/or specify their key amendment requests, has proved successful. When you decide on an agency, this gives you clarity on the type of cooperation and you therefore avoid subsequent deal breakers. It is perhaps even more important that you do not yet have to start contract negotiations (you already have more than enough with the cost negotiations) once you have made the decision on an agency with a cherished new partner.

Last but not least

Providing qualified, open, honest and detailed feedback to weaker agencies is often neglected. Doing this during a face-to-face discussion has proved successful and is greatly appreciated by agencies.

5How does a customer benefit from the involvement of a pitch consultant?
  • You get the overall market overview.
  • You save a lot of time – starting with the selection procedure and subsequently during other important marketing tasks.
  • You save costs – starting with the selection procedure and during the subsequent cooperation with the right agency for you.
  • You get an experienced and professional agency assessment.
  • You receive an unbiased, objective and neutral opinion.
  • You gain the certainty of finding the right agency partner and obtaining an audit-proof selection procedure.
6How does an agency benefit from the involvement of a pitch consultant?
  • Guaranteed, adequate remuneration of the pitch presentation analogously to the task
  • Certainty of the ‘seriousness‘ of the selection procedure (keyword: ‘fake pitch’)
  • Transparent procedure (no ‘black box‘)
  • Clear task description
  • Full brief addressing the agency
  • Objectivity throughout the procedure
  • Extensive, constructive feedback
7Why do customers look for a new agency? Or: The top 10 reasons why customers become dissatisfied with agencies

Customers involve us because they do not have an agency (for a certain area of expertise) or because they need to regularly invite tenders. In more than 80% of cases, however, customer dissatisfaction with the existing agency is the reason for this. These are the top 10 reasons why (basis: approx. 100 selection procedures that we have implemented or assisted with):

 

  1. Inadequate process and project management (lacking understanding of the processes as well as a lack of implementation tools)
  2. Not the team promised or one that constantly changes (including a lack of capacity and deterioration)
  3. A lack of holistic digital understanding
  4. Weak strategy
  5. Inadequate quality of consulting
  6. Lacking or lack of proactivity
  7. Not on equal footing, inadequate understanding of the customer, not a sparring partner, leading role not exercised
  8. Poor-quality content and technology
  9. There is no further development (only on the customer side)
  10. Inadequate or lack of willingness to collaborate with other agencies of the customer
8What mistakes do agencies most often make in presenting themselves? Or: What makes it so difficult for marketing managers to correctly assess an agency in comparison with others?
  • No clear and unique service profile
  • No presentation of 2-3 powerful unique selling points (why should the agency be put on the books?)
  • Inconclusive presentation: What are customers? What references? What experiences (in the team)?
  • Inadequate case presentation (“A case must be a case!”) A case must include: Task/challenge/objective, strategy, idea, solution, implementation/creation, result (if possible)
  • Inadequate team presentation
  • Poor contact information
  • Outdated website
  • Negligent treatment of own PR
9What mistakes do agencies most often make in the agency selection procedure?
  • Too few questions are asked
  • Connection between presented cases/references and team/core team incomprehensible (are the key people still at the agency?)
  • Distribution of tasks in presentations too one-sided (pitch teams or only director presented!)
  • Discrepancy between strategy and creative implementation
  • Often not transparent and incomprehensible offers
  • Inadequate presentation of procedures
  • Partially unrealistic scheduling
  • Incomplete documents
10Are there alternatives to a pitch presentation as a decision-making basis?

‘Challenge projects‘

Working closely with you, we develop a brief for a real and paid trial project, which you can use to review one or more agencies in actual day-to-day business over a number of weeks – giving you a very reliable basis for decision-making.

‘Immersion workshop‘

Become better acquainted with potential agencies in immersion workshops organised, held and moderated by us.

‘Customised solutions‘

For example, assessment check and pitch garage: two other formats for an even better qualitative assessment of the professional skills of agencies, method of collaboration between agencies and customers and – last but not least – good chemistry.

11How did FRANCIS DRAKE get its name?

Sir Francis Drake was an explorer, privateer and one of the first circumnavigators of the globe. As an outstanding navigator, he is considered one of the most prominent personalities in seafaring to this day.

Navigation skills are also needed when you, as a company putting out advertising, want to find the right partner in the sea of countless advertising agencies and communications service providers.

This is where FRANCIS DRAKE comes into play: We are specialised in the search for and identification of the agency partner that is right for you, your goals and challenges.

12How long does an agency selection procedure take?
In just 6 weeks and 4 fixed meetings, we will find you an agency partner that is the perfect fit for you.
13How does a public contracting authority put out a tender for an advertising agency?
The tendering process for an advertising agency begins with a clear definition of the required services and specifications. Building on this, the service specifications, eligibility criteria, award criteria, evaluation matrix, remuneration model and the specific procedure for the tender process are developed.

For larger or more complex agency tenders, a negotiated procedure preceded by a pre-qualification stage is often advisable.

In this process, suitable agencies are first selected on the basis of defined eligibility criteria. The shortlisted agencies then submit a tender and, where required, complete a presentation or pitch assignment.

It is crucial to combine the requirements of public procurement law with expertise in communications. After all, a formally correct tender does not automatically result in the selection of the best agency in terms of professional expertise.

FRANCIS DRAKE Pitch Consultancy supports public contracting authorities in the communication-related preparation and execution of such agency tenders, from requirements analysis through service specifications and agency selection to remuneration, negotiation and the award decision.

14What award criteria are suitable for an agency tender?
The award criteria for an agency tender should combine price with qualitative criteria. When it comes to marketing and communications services, quality is generally of paramount importance. Suitable qualitative award criteria include, for example:

• strategic quality

• quality of the creative solution

• Understanding of the brief

• Quality of consultancy

• Qualifications of the proposed core team

• Process and project management

• Digital and technological expertise

• Quality of collaboration

• Presentation and responses to defined questions

All criteria should be tailored to the specific brief, clearly described, weighted appropriately and assessed using a transparent evaluation matrix.

FRANCIS DRAKE Pitch Consultancy develops bespoke award criteria, along with the associated weighting and evaluation models, for public sector agency tenders.

15How should creative work be assessed in a public tender?
Creative work should be assessed on the basis of criteria defined in advance and identical for all bidders. Suitable criteria include, for example:

• Quality and sustainability of the creative idea

• Alignment with the brand and the brief

• Strategic rationale

• Relevance to the defined target groups

• Feasibility

• Cross-channel applicability

• Differentiation from the competition

For each criterion, it should be established before the evaluation begins what constitutes a very good, good, average or inadequate performance.

This ensures a structured and transparent evaluation of creative agency services.

16How much weight should be given to price in an agency tender?
There is no one-size-fits-all correct percentage for weighting price in an agency tender. The weighting should be based on the specific service, the client’s quality standards and their business objectives. As a general rule, we recommend a 60:40 weighting (quality vs. price).

In the case of complex marketing and communications services, price should not be considered in isolation. Strategy, creativity, consultancy, team quality, processes and the agency’s performance all have a significant influence on the quality of the subsequent collaboration.

It is therefore crucial to have an evaluation model that sensibly combines quality and cost-effectiveness.

In addition to the weighting, the method of price evaluation is important. The price sheet must enable the quotes to be compared and realistically reflect the expected service and remuneration model.

17What should be included in a communications agency’s scope of work?
The scope of work forms the technical basis of a call for tenders for an agency. It should clearly describe the services the communications agency is to provide during the term of the contract. This includes, in particular:

• Initial situation and objectives

• Tasks and scope of services

• Brands, products and target audiences

• Communication disciplines and channels

• Strategic and creative requirements

• Consultancy services

• Operational services

• Roles and responsibilities

• Processes and collaboration

• Interfaces with other service providers

• Reporting and performance measurement

• Expected contract term and service volumes

The scope of work should be precise enough to ensure that comparable tenders are received. At the same time, it should allow an agency the necessary scope for strategic, creative and technical solutions.

18How does a pre-qualification competition work in an agency tender?
In a pre-qualification competition, interested agencies first apply to take part in the actual tendering process.

The contracting authority defines eligibility criteria in advance. These may include financial standing, relevant reference projects, experience, expertise and requirements for the proposed core team.

The applications received are examined and assessed against these criteria. Subsequently, the qualified or highest-ranked agencies are invited to submit a tender.

The pre-qualification process thus narrows down a larger field of applicants to a group of agencies with the appropriate expertise for the next stage of the procedure.

FRANCIS DRAKE Pitch Consultancy supports public contracting authorities in defining and weighting the eligibility criteria, the evaluation matrix and the communication-related assessment of the applications for participation.

19How many agencies should be invited to the negotiation meeting (pitch presentation)?
For a competitive presentation or a negotiation meeting, the number of agencies should be chosen in such a way as to ensure sufficient competition whilst still allowing for a thorough professional assessment. We recommend four agencies per lot.

From a communications perspective, a concentrated field of participants has proven effective in many agency selection processes. However, the specific number depends on the brief, the chosen procurement procedure and the specified terms and conditions of the process.

More important than having as many participants as possible is the quality of the preliminary selection. A clearly structured pre-qualification process ensures that only those agencies that are professionally and organisationally suited to the brief reach the final stage.

20How can agency fees be compared in public tenders?
Agency fees can only be meaningfully compared if all agencies quote their prices based on the same service and volume structure.

To this end, a standardised price list should be drawn up. Depending on the scope of work, this may include the following elements, amongst others:

• Hourly and daily rates

• Roles and levels of seniority

• Defined service packages

• Project prices

• Unit costs, flat rates or retainers

• Production costs

• External costs and surcharges

• Media or performance fees

The prices quoted should then be assessed not only mathematically, but also in relation to market prices, the scope of services and the resources deployed. To this end, we draw on our benchmarks derived from more than 50 years of industry experience. FRANCIS DRAKE FDR Pitch Consulting supports public sector clients in developing suitable remuneration models and price lists, and in benchmarking agency proposals.
21How can agency fees be compared in public tenders?
Agency fees can only be meaningfully compared if all agencies quote their prices based on the same service and volume structure. To this end, a standardised price list should be drawn up. Depending on the scope of work, this may include the following elements, amongst others:

• Hourly and daily rates

• Roles and levels of seniority

• Defined service packages

• Project prices

• Unit costs, flat rates or retainers

• Production costs

• External costs and surcharges

• Media or performance fees

The prices quoted should then be assessed not only mathematically, but also in relation to market prices, the scope of services and the resources deployed. To this end, we draw on our benchmarks derived from more than 50 years of industry experience.

FRANCIS DRAKE FDR Pitch Consulting supports public sector clients in developing suitable remuneration models and price lists, and in benchmarking agency proposals.

22What should be taken into account when putting a media agency out to tender?
When putting a media agency out to tender, strategic, operational and financial services must be clearly distinguished from one another. The following, amongst others, must be defined:

• strategic media planning

• media buying

• digital and traditional media

• performance marketing

• data and technology

• AdTech and systems used

• reporting and analytics

• performance measurement and KPIs

• terms and conditions and remuneration model

• transparency regarding discounts, bonuses and other benefits

• roles, responsibilities and interfaces

A key consideration is financial comparability. Different fee structures, terms and conditions, and service components can make a direct price comparison difficult.

For this reason, the service specification, price list and evaluation system should be aligned before the tender process begins.

23Which pitch briefs are suitable for public procurement procedures?
A pitch brief should specifically assess the skills that are crucial for future collaboration with the agency. It should be realistic, clearly defined and identical for all participating agencies. Suitable tasks include, for example:

• strategic development

• communication strategy

• creative concept

• campaign design

• content strategy

• social media

• media or channel strategy

• process and collaboration models

• specific challenges faced by the client

The scope should be chosen in such a way that the professional differences between the agencies become apparent, without pre-empting the extensive scope of work involved in the subsequent collaboration.

It is also crucial that the pitch brief is directly linked to the specified award criteria and the evaluation matrix.

24How do you draw up a good scope of work for a communications agency?
It should describe objectives, services, roles, interfaces and expected outcomes in sufficiently concrete terms to enable agencies to prepare comparable proposals, without unnecessarily dictating the solution.
25Which award criteria are appropriate?
Criteria should reflect the quality characteristics relevant to the contract, for example strategy, creativity, team, processes, implementation expertise and price, each with pre-defined weightings and a rating scale.
26How can creative work be assessed in a transparent manner?
Through a clearly defined brief, specific evaluation criteria and an evaluation matrix that documents qualitative differences in a transparent manner.
27How many agencies should be invited to work on a complex pitch brief?
As few as necessary to ensure a robust competition. An unnecessarily large field of participants increases the workload for both sides and may deter suitable agencies from taking part. A maximum of 4 is generally recommended.
28When is it advisable to engage a pitch consultancy?
Pitch consultancy is always advisable when companies are looking for a new agency, wish to review an existing agency partner, or want to restructure their agency landscape. Particularly in the case of complex tasks, a lack of market overview, or multiple internal decision-makers, external consultancy brings structure, transparency and certainty to the selection process. It also takes the strain off internal resources and helps to make a well-founded assessment of professional quality, cultural fit and financial terms.
29What criteria should you use when choosing an advertising agency?
Which agency is the right one always depends on the specific brief and the company’s requirements. Key selection criteria include relevant experience and case studies, strategic and creative expertise, the quality and seniority of the proposed team, industry knowledge, working methods and processes, capacity, and cultural fit. Remuneration and contractual terms should also form part of the assessment. It is crucial to define the criteria before beginning the search for an agency and to weight them according to their importance.
30How is a shortlist drawn up when searching for a professional agency?
The foundation of any shortlist is a clear requirements profile. On this basis, the relevant agency market is systematically analysed and assessed against defined criteria. In addition to the agency’s service portfolio, experience and references, consideration should also be given to the proposed team, the agency’s size and structure, its capacity, and how well it specifically matches the task at hand. The aim is not to have the widest possible selection, but rather a focused shortlist of agencies that are truly suited to the company and the task at hand, both in terms of expertise and structure.
31What role do chemistry and cultural fit play in agency selection?
Professional competence alone does not determine the success of a collaboration. A ‘chemistry meeting’ allows you to assess whether working methods, communication styles, the advisory approach and the key individuals on both sides are a good match. It is therefore important that not only the agency’s management takes part, but also, where possible, the team that will actually be working for the client later on. Cultural fit should be a clearly defined criterion in the agency selection process, without replacing the professional assessment.